Steampunk Hands around the World - Interview with Michelle of Steelhip Design

In this last interview for the Steampunk Hands event, I'm reaching over from the UK to shake hands with Michelle in Australia.

The founder of Steelhip Designs, this talented lady produces the most incredible, wearable, faux machine adornments and sculptures! 

The NewRomancer

1. How did your shop get its name and what was the main inspiration behind opening your shop?

I've had Psoriatic Arthritis since I was 12 years old.  Due to that condition I've had both my hips replaced, both my knees replaced and my right wrist plated and fused.  It's made having any kind of career difficult.  In 2001 I went back to school and studied web design and named my business Steelhip Design.  I loved designing websites but started making jewellery as a way to relax after coding all day.  When making jewellery and art took over from web design, I didn't feel the need to change my business name.

The Clockwork Alchemist - on Etsy

2. What do you create and do you have a signature product? If so how did it come to be?

I mostly create jewellery pieces – that's what I financially survive on but I also make small sculptural/assemblage pieces.  My signature piece is the mechanical flying heart – I've made many, all unique, but I still love making them.  They have evolved over time from simple embellishments to now, very complex little faux machines.  The gear teeth are locked together, the gauges have tiny watch hands and in some cases, printed read outs.  I think it's the increasing degree of complexity that is keeping me engaged artistically.

Control Panel - on Etsy

 I don't fabricate or cast so I'm using existing items in new ways.  In a weird kind of way having a disability taught me to adapt to the world around me.  Adaptation is a huge part of my design process.

Ethereal Essence Extractor

3. Where do you find your inspiration and what makes you different from the other people that make what you make?

Having lots of metal in me.  So it's no wonder biomechanical themes feature heavily in my work.  

It's a cliché but I really do see inspiration everywhere.  That is why steampunk is so dynamic.  We see movement, physics and engineering everywhere.  I love driving around a heavy industrial areas – seeing the pipes, huge machinery and massive electrical terminals. 

I work in what is kindly called “creative chaos” but could also be termed a total mess.  My desk is covered in bits and pieces.  It's amazing how many pieces have just come together in this confusion and randomness of proximity.  

I like to make pieces that look like they actually work.  Gears for gear's sake isn't my thing – they have to look like they are part of a mechanical process.  Recently I've delved into the “mad scientist” realm with brass tubing, miniature control panels and glass vials.  I want these pieces to look like they are “plugged in” to the wearer's body.

I'm often told my pieces are very original - that is the best compliment any artist can get. 

Mini Orrery

4.What do you enjoy most about your craft?

When everything just comes together – the piece is virtually making itself – great feeling.  I can't draw so it's impossible for me to plan out a piece.  I have to pick up the parts to see if they will fit together.

Seeing people's faces seeing my work – just Wow!  That is the downside to online selling – not seeing those immediate reactions but I get a lot of lovely messages from all over the world.

I  do love the hunt too.  Sourcing my supplies has become very difficult with the popularity of steampunk and the fact I live in Perth, Australia – the most isolated capital city in the world.  Down here we have neither the population nor history for vintage surplus/charity shop finds.  Virtually everything I use I have to source online.  Totally jealous of the steampunk artists in the US and Europe and the access they have to amazing raw materials!  So, when I find fantastic supplies at a reasonable price and shipping costs aren't exorbitant it is a very good day. 

Orbit Ring

5. What is your best advice to newbie Etsians just opening their shops?

Mainly talking to jewellery artists here.  Be original and find a niche.  It took me six years to find my niche.  And be prepared for the cruel reality of capitalism.  When I look online, walk through a shopping mall and go to a craft market – jewellery is EVERYWHERE!  I'm astounded I sell anything.  It can be crushing to your ego when you've poured your heart and soul into a piece of art or jewellery and it doesn't sell.  Make things you want to make but if it's the 47,756^th red beaded bracelet listed on etsy realise you have some stiff competition. I know it's difficult but try not to take a lack of commercial success personally.  

Remember people are selling on etsy for different reasons: for some it's their primary profession, some are hoping they can quit their day job, others just want to cover the cost of supplies and there are hobbyists who are just having a bit of fun. Each group values their time and skills differently.  This dynamic can make it a challenging platform to sell on.  Think about your own ambitions and what you want out of the experience.

Before Etsy I sold on ebay for over 10 years.  I only listed on Etsy to have some kind of presence there.  I put high prices on the pieces I listed thinking “this is just a portfolio – no one is going to buy them” but to my amazement they sold.  I'm so glad I gave myself that inadvertent pay rise and now I put a realistic price on my experience, skill and creativity.  Women do tend to under value their time and effort.

Great photos are crucial to selling online.  I spend many hours taking and editing photos.  I look back at my first attempts and cringe.   You don't have to spend a lot of money to take great photos it's just finding the technique that works for your products.

Finally, if you need help go to the main forum and ask experienced sellers.

The Parked Heart

6.What are your top 3 favourite shops on Etsy and what do you like about them?

I'm going to be really boring (and diplomatic) here and say I have too many favourite shops on Etsy to list just three.  Most of my them are supply shops.  When I have time I do a steampunk search.  I'm always blown away by the talent and skill of my fellow steampunk artists on Etsy.

Refining Steam

7. Where can you be found online?

http://www.steelhipdesign.com/
Please don't judge my web design skills on my site.  I cheated with a gallery generator to just get something up quick and haven't had the time to get a “real” site up.  Next hospital visit (right shoulder replacement) I'll design a proper website.

https://www.etsy.com/uk/shop/steelhipdesign

and on Facebook.

8. Do you have any coupon codes / special sales / upcoming or current promotional events going on in your shop?

Nope, sorry – don't really do the coupon thing.  Maybe in the future – probably through my facebook page.  So remember to like me.

Steamdriven

9. What is it about Steampunk that you love and how did you become involved in it?

I hear this often from steampunk artists – “I was making steampunk before I knew it had a name!”  I think that's what excites people when they find the community - I thought I was the only one that preferred copper, brass, wood and glass over mass produced plastic!

When I was five or six I saw an antique automata singing bird.  The bird was beautiful but it was the mechanics inside that really captured me – it was magical.   I love the philosophy of making something for the sake of beauty and skill over profit and designed obsolescence. It's reminiscent of the Arts and Crafts movement at the turn of the last century.  

I was making a miniature Orrery and needed some unique parts.  I started seeing “steampunk” in listing titles.  Needless to say, I googled it.  The rest is history.  The community, especially the Tactile forum on Brass Goggles, made me very welcome.

Steampunk has been very good to me.  I've won a few awards in art shows and have contributed pieces for a national touring exhibition – The Antipodean Steampunk Show.  More recently, one of my pieces is on the cover of the new book “Steampunk Jewelry”. 

I'd love to exhibit (or even just attend) some of the big steampunk events in the US and Europe.  Perth has a tiny band of steampunk devotees but I mostly get blank stares when I mention what I do.  At the end of this year I'm aiming on having a solo exhibition and try to raise the profile of steampunk art in my home town.

Steampowered

Thankyou so much, Michelle! You really are an inspiration. 
Personally, what you've said about your mess  design process really resonates with me. Out of the chaotic potential of a random pile of materials, the designer acts like a filter to create unique works. I must say, you seem to have distilled the very essence of Steampunk in these magnificent faux machines!

If you, too, admire Michelle's work, do follow the links and support her fine endeavours.

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If you would like to be interviewed or, indeed, interview The Navigatrix, you can email me at thenavigatrix@yahoo.co.uk

Tales of The Navigatrix - Part 1

How The Navigatrix met the Aether Nomads and began the quest for

 'The Unpronounceable'

'The Navigatrix' by Jennie Gyllblad

"Where shall I begin my story? My childhood was spent in a small English town, gazing at stars and dreaming of adventure. I studied the art and craft of creating things to enhance one's outward beauty whilst also studying the mysteries of inner beauty. 

I became a Navigatrix and first sailed the skies in The Starbreeze under the Lady Oona... I am a fellow at the School of Metaphysic and a Jeweller. I travel far, wide and deep searching for treasures, both of a physical and metaphysical nature.

Let me tell you about my first meeting with the Aether Nomads. Quite apt, as I have recently spent three months living among them, learning voraciously!

After I left The Starbreeze, I wished to know more of the mysteries of the Aether and sought a guide who could handle both technology and the complex fluctuations of the energetic matrix that binds the multiverse together. In my studies, I came across mention of a tribe of plane-wanderers who combined an impressive understanding of science with a profound spirituality.  After some months of searching, I finally managed to locate a branch of this tribe, currently residing in northern Africa. 

The Aether Nomads spoke of a very particular (or peculiar - they were a little unclear on this) man called Al Khemeti, a loner, who seemed to have a great deal of inner strength, never apparently needing outside help to fight (fight what, I wondered?). The nomads gave me a route to go and search for him in the desert and told me that I would never survive alone, so I took their advice and paid some young nomads as guides.

The young men of the Aether Nomads enjoy jewellery as much as the women, I am pleased to say!

After just over two weeks of travelling, I realised that I was just losing money looking for this purportedly old and lazy nomad although, at the same time, I began to feel nervous about finding him. Still I searched on, but there was still no sign of him. I became rather disheartened and was about to give up. 

As I rested in camp one evening, one of the young men began to laugh out loud and came toward me. Initially, I took offense, assuming that he was laughing at me and my fruitless search. I recognised him as one of the first nomads that had mentioned this 'Al Khemeti'. I looked the young chap straight in the eye (the one uncovered by a monocular device) and expressed my deep disappointment about not finding him, as I had heard tales of a Gargantuan-class airship stuck in the Aether. It was my intention to claim this ship, gather a crew and to explore the deep truths of life through the study of the Aether. Oh, and to carry out my trade of crafting fine adornments, of beauty and meaning.

The act of surrender and the speaking of truth often opens doors that were previously unseen, not to mention locked.

He smiled and said, " As you have spoken with truth and sincerity, know this: I am Al Khemeti, one of the last Guardians of the Aether." 

The young nomad laughed and said 'I am Al Khemeti!' I suspect he read me like a book...

So it was that I made a firm new friend. The Aether Nomads are master Metaphysicians, Aethermaticians and Symbologists. They value artistic accomplishment highly; in fact, it is through their arts that they express their sciences. Even the beaded waist-chain of a dancing girl contains coded mathematical formulae and meaningful symbols.

The Aether Nomads map their lives carefully. They are anchored in one reality, yet they travel the  multiplanary realms of the Aether. They do have those that travel, not simply through dimensions but also through time, though these individuals are rare. Al Khemeti is one such.

He is also known as 'Al Khemet-Our' which means 'Light of the Black Earth. 'Khemet' is an ancient place, known to the Nomads as the origin of humankind. It is also a very dangerous place...

Al Khemeti is a 'Betweener', one stuck between light and shadow. He is a natural ambassador, knowing how to talk and trade with foreigners. He nurtures peaceful relations with all people and teaches others about the nature of the Aether and the ways of the Nomads. I am proud to be his student. "

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An Out of Character aside:

I come from a Live Roleplay background and creating characters within the framework of a rulebook, where one can choose between fictitious cultures, is second nature to me. In discovering Steampunk, I also discovered that there is no rulebook and The Navigatrix emerged whilst chatting to a friend and to my brother Matt who, at the time, was just setting up ArcaneArmoury.

The Aether Nomads are a product of the stories that pop into my head whilst creating jewellery. However, my intention is to open this story up to any who wish to choose to be inspired by it. I have invited several talented artistic friends to create items in their own style, be it art dolls, costuming, pyrography, leatherwork...so hopefully, you may see the Aether Nomad style appear in other places than my own shop.

Because the nomads travel through dimensions and time, there is plenty of scope for people to create their own Aether Nomad characters - Metaphysicians, Aethermaticians, Symbologists, Aethernauts, CloudDancers etc. Take what I write as a starting place. A little cohesion would be nice, but you have the freedom to be individual!

Many thanks go to Heyk Al Khemeti of France (merci beaucoup, mon ami!) for co-writing this story with me and being the first Aether Nomad Steampunk character!

If you have been inspired and would like to join the Nomads, keep reading my blog, read the item descriptions in the Aether Nomad section of my shop and drop me a line at: thenavigatrix@yahoo.co.uk 

Happy 'International Steampunk month!'

Sally-Ann aka The Navigatrix

Come see my Wares!

Here are a few pictures to give you an idea of what The Navigatrix offers.

I don't normally offer custom orders as I make what I can with what I've got. However, I'm happy to make the moustache earrings in any colour. You can even send me a picture of a different moustache style to make!

Welcome to The Navigatrix!

Welcome to the budding blog all about The Navigatrix and it's creatrix! I'll be sharing what I learn and find along the way, promoting, supporting and welcoming other likeminded creative people (We are ALL Creative People, in one way or another :)

Let's start with a little background, in the hope that others out there will gain something from the tale.

My name is Sally-Ann and I have travelled a long and interesting path to get here. I started my working life with a Degree in Design Representation (Modelmaking) and worked freelance for three years. After a while working mainly in architectural modelamaking, I became frustrated at not being able to get into the more imaginative yet highly competitive SFX side of the industry. I became very stressed to the point where my health suffered and eventually discovered Reiki. After three sessions, I was hooked and went on to learn how to treat myself and others.

I then visited a career analyst and chose to retrain as a Montessori Directress, teaching 2-6 year olds. I loved the philosophy behind it and really enjoyed working with the children. My creative talents were put to use making classroom materials and displays. Still, something wasn't quite right, even when I found the most wonderful position (and promotion) working in a brand new school in the countryside. My intuition told me in no uncertain terms that it was time to set up a Reiki Practice. I left the school and set up in a rented room within a Health food shop.

Hindsight is great, isn't it?! I could have asked to work at the school part time...well, though I may not have earned a great deal, I learned a lot about working for myself. The most important things I learned were that this suits me down to the ground and that I Can Do It! (Thankyou, Louise Hay). One beautiful baby and a housemove later, I found myself thrown into life's tempestuous hug again. 'Honestly, dear, I willmake you listen!' says Life. So, out of struggle, I am re-creating myself once more.

One of my hobbies is Live Roleplay so it was no surprise when my brother and a friend of mine started to get me interested in Steampunk. This led to the creation of a Steampunk persona and more importantly, a costume (complete with corset!). I made myself some aged fingerless gloves and a little hairclip. I looked at this little clip and thought 'oh, people might buy these' so I asked my brother for space in his online shop. He just said 'Why not make your own shop?'

I found Etsy and suddenly my creative streak exploded. I found that I could make small items easily using pretty much what I had to hand or was given from the bottom of family sewing baskets. So now, alongside a new budding Reiki Practice I have this wonderful shop and a warm welcome in a community of creative and caring people. The Navigatrix is finding her way in the world, at last!